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Between 1910 and 1920, a tremendous number of African American workers journeyed to Bronzeville to escape oppression in the southern United States. As one of the most significant landmarks of the “Great Migration,” this South Side neighborhood is shrouded in a glowing, African American cultural allure. Bronzeville’s 20th century resurgence, which rivaled the Harlem Renaissance, is responsible for tremendous cultural and social advances.

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Pulitzer Prize recipient Gwendolyn Brooks, civil rights activist Ida B. Wells, and legendary musician Louis Armstrong were profoundly responsible for the area’s development and subsequent cultural crusade, which included advances in civil rights, jazz, blues and gospel music as well. As part of a community-driven revitalization, Bronzeville seamlessly bridges its historical significance and flourishing modern renaissance. Amongst newly opened coffee shops and restaurants, you will find spectacular displays of Victorian Era architecture. These mansions, which were primarily built in the late 19th century, represent the area’s extraordinary display of Gothic, Romanesque and Queen Ann-style design. Stunning residential architecture and its storied history aside, the neighborhood’s most striking, modern influence is in the realm of public art. Commissioned to help rejuvenate the area, Bronzeville contains some of the most celebrated works within the City of Chicago’s Public Art Collection.

Of note is a sculpture-adorned stretch of Martin Luther King Drive that features Alison Saar’s “Monument to the Great Northern Migration,” The Bronzeville Walk of Fame, and The Victory Monument. There are some incredible tourist attractions in Bronzeville and we invite you to explore them all. Please join the Black Metropolis/Pullman Porter Great Migration Blues Trail tour or The Restoring Bronzeville Tour Tours are conducted: 1 – 4 hours bus tours, 7 days a week. Starting 8 a.m. & ending 4 p.m. Prices Children (up to age 17) – $15* Students (schools & colleges) – $20* Adults – $35 Seniors (starting at age 65) – $25 Tour Group Organizer/Docent – Free, collect fees (50% nonrefundable security deposit) * Box lunch (No Nuts) $10 + bottle of water $1 How Many People?

Full bus = 13 people Referrals 5% Commisison For more information or help Tour Bus Booking Coordinator: Please call for an appointment at this time. PLEASE DO NOT TRY TO BOOK A TOUR ONLINE AT THIS TIME.

How to make a paving slab with your own hands using molds and a vibrating table Independently to produce concrete tiles for paving paths in the garden - on the strength of any master, there would be a desire. So, Ivan Stoletov from Grodno made a set of tiles for his site, and their cost compared to the purchased was half the cost, not counting the cost of delivery. Probably, I would not have to manufacture the paving slabs myself, but in the firm where I ordered a set of these concrete products, a technological failure occurred - and a simple one could drag on for several months, which was not my plan. This led me to the idea of ​​making a set of tiles with my own hands, the benefit was good warm weather and I had free time. Given the small amount of work, I decided to mold the tiles in plastic forms, and mix the concrete by hand. For the same reason, I did not produce a special vibrating table, but I used a simple device, which I'll talk about a little later. I had a certain experience in making large-sized slabs with wooden and metal forms, but there was a specificity, and I had to experiment in something.

See also: TOOLS, MATERIALS AND ACCESSORIES FOR THE MANUFACTURE OF THE SELF-MODULAR TILTURE TILE Purchased plastic molds, trowel, spatula, rule, shovel, chopper, hammer, grid for sieving gravel and sand, cement, water, bucket, lubricant and paintbrush (for lubrication of molds), shaker for molding, armature, binding wire. Forms for tiles I needed only four plastic molds to master the required amount, which is about 500 tiles. It was a great temptation to purchase large-size shapes - 50 X 50 X 5,5 cm or 60 * 60 * 5,5 cm: bribed simplicity of molding and a large area of ​​tile. For comparison, I bought one such form and produced nesnolko prototypes. The smaller tiles proved to be more profitable, so I decided to use shapes of 30 dimensions '30' Zcm.

Ww greener shotgun serial numbers. The shape of the action is unlike the A & D type we made in house since it has a narrow fence and a large distance between the fences and head of the stock.